Thursday, 29 January 2015

International Style 1920-1980

International Style 1920-1980


We can find the international style in architecture, which it describes the type of the design that have been developed in Germany, Holland and additionally in France which this transpired during the 1920s afore it spreded to America in the 1930s. During the middle of the 20th century we could visually perceive that it have become ascendant in the American architecture. the  international style was  mostly  kenned as the skyscraper architecture where  it give  the conception  of  modern look  absence of the embellishment and withal  was a style that the steel and glass were utilized, it was withal  corporate with the modernism during the period of the 1955-70. We can additionally optically discern that this particular style have been ascendant mostly of the 20th century of the architecture which was for the institutional and commercial building, it has withal been a tradition for the historical style.

The characteristics of the international style of the buildings includes the rectilinear forms which fundamentally plane surfaces which  these  will  be thoroughly devoid  form the  ornamentation and additionally open , even fluid and additionally  interior spaces. We additionally can optically discern that from the early form of the minimalism it had a ‘modern look’ where we can visually perceive that it has been reinforced by the  utilization of  modern materials  which these materials  includes  the  glass for  the façade, steel for the exterior support and withal  the concrete for interior fortifies and floors.


We can see that the international style was first coined in the 1932 which was by the curators Henry-Russell Hitchcock (1903-1987) and Philip Johnson (1906-2005 which  these  are shown in the literature for  the show  of  the  international exhibition of the modern exhibition 1932 which this exhibition  was  placed  in the  museum of  the Modern Art in  New  York. the  aim of  it was  to explain and also to promote what they have considered to be an  exemplary modern style of the architecture. We can see that the only American structures in display were the Lovell House which  was  done  by  Richard Neutra in the 1929 and we can also  see the Film Guid  Cinema  which  this  one was designer by  Frederick John Kiesler 1890-1965.    




                                         Lovell House- by  Richard Neutra

Some famous artist and designers that took part in the international style are Walter Gropius, Jacobus Johannes Pieter Oud, Le Corbusier and also Florence Knoll.

We can see that these artists have worked in the International Style where most of their works have been done in 3D aspect which means Product and also furniture designs.  



          Corbusier Chaise Lounge

Le Corbusier
He is one of the artists that have worked in the international style. He also worked a lot in furniture designs such as the Corbusier Chaise Lounge.



Walter Gropius
Walter Gropius who was the founder of the Bauhaus design school which was in Weimar, Dessau and also in Berlin.  Walter have emigrated to America in the 1937, where there he became the Head of  the Graduate School of Design at the Harvard University, and this was also set up to the partnership which it was been known as The Architects’ Collaborative.

Some examples we find of Walter in the International Style architecture are the Fagus Factory which it is in Aldeld on the Lein in the 1911-25, the model of the factory for the Deutscher Werkbund Exhibition at Cologne in the 1914, we also can see the Bauhaus School building1925 which it is a Dessau, the Graduate Center 1950 at Harvard University and also Pan Am Building 1963 in New York.


International style

International Style of Modern Architecture: Origins, Characteristics. 2015.International Style of Modern Architecture: Origins, Characteristics. [ONLINE] Available at: http://www.visual-arts-cork.com/architecture/international-style.htm#definition. [Accessed 27 January 2015].

Author: Charlotte and Peter Fiell, Title of the Book : Design of the 20 th century, Published: Taschen, pg 344-348



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